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<br />projections and a presentation to the staff booking committeet through <br />negotiating contracts. He then reviewed each of those steps in more detail. <br /> <br />~ Mr, Roan said that in deciding how many events of each type were appropriate <br />to presentt staff examined data about what the Eugene market would beart <br />whether events fulfilled the mission of the Hult Centert revenue projections, <br />time frames and halls, and scheduling of events by local arts organizations. <br /> <br />Mr. Rutan asked about the geographic market of the Hult Center. Mr. Roan said <br />the primary geographic market was the Eugene/Springfield area, and a secondary <br />market extended from 50 to 150 miles away. <br /> <br />In determining whether an event fulfilled the mission of the Hult Center, <br />Mr. Roan said staff asked whether the event was likely to be presented <br />elsewhere in Eugenet whether it developed Eugene's audience and broadened its <br />cultural perspective, whether it was the highest quality obtainable of its <br />type, and whether it would contribute to the marketing of Eugene as well as of <br />the Hult Center. <br /> <br />In determining whether an event was marketable, Mr. Roan said staff considered <br />reputation, name recognitiont price and potential audience size. <br /> <br />Ms. Ehrman asked whether the process Mr. Roan was describing was new or had <br />been in place since the center opened. Mr. Roan said the process had evolved, <br />adding that a Master Plan, which contained both old and new aspects, had been <br />developed shortly after he was hired. <br /> <br />Mr, Roan said an important programming factor was to avoid natural market <br />~ "slump" times, such as the first two weeks in January and during spring break. <br /> <br />Mr. Roan described contacts wi th artists I agenci es or management, whi ch <br />included obtaining information about fees, technical requirements, production <br />expenses, and available dates and marketing kits. He said such information <br />was especially important for certain types of events, such as next year's <br />scheduled performance of "Circus Royale," which included top international <br />circus performers and an 8,000-pound elephant, and which required extra floor <br />support, trucks, preparations for aerial equipment, and so on. <br /> <br />Mr, Roan said one of the major cha 11 enges faced by the Hult Center was the <br />level of marketing assistance provided by major performing arts groups. He <br />said probably 80 percent of touring attractions provided less than half the <br />marketing materials (such as posters and public service announcements) needed <br />to sell an event to the public. <br /> <br />Mr. Roan said one area that had changed was an increase in event research, <br />which included examination of quality reviews, box office receipts, product <br />salest and reports from sponsors and presenters. He said the Hult Center <br />staff was committed to providing high quality performances, but that was <br />difficult because of a lack of availability of top name attractions. He added <br />that the latest issue of Musical America listed that as the No.1 reason for <br />six-figure deficits in six of the ten major American symphonies, and he said <br />the same was true of rock, country, and other types of events. Mr. Roan also <br /> <br />e <br /> <br />MINUTES--Eugene City Council Dinner/Work Session <br /> <br />June 8, 1987 <br /> <br />Page 2 <br />