Laserfiche WebLink
<br />e <br /> <br />- <br /> <br />e <br /> <br />B. Eugene Opera: Laurie Smith, President <br /> <br />Ms. Smith said the Eugene Opera is a new company of which there are two in <br />Oregon. The Eugene Opera moved into the HCPA this year in the sixth year of <br />production. Ms. Smith said performances are of high professional quality even <br />under trying budget conditions. She stressed the Eugene Opera is a local <br />professional organization with the board of directors from Lane County. She <br />said the Eugene Opera is gaining a national reputation and is a growing, <br />thriving company. She stressed that if the Eugene Opera Company does not <br />survive in the HCPA the only opera Eugene will see will be opera that comes to <br />town, sells tickets, and the money leaves town with the touring company. <br /> <br />C. Eugene Symphony: Janet Johnston, President <br /> <br />Ms. Johnston stated the Eugene Symphony Board of Directors is proud of the <br />achi evements thi s season. The Eugene Symphony set out three years ago tD buil d a <br />quality symphony orchestra that was worthy of performing in the HCPA. She said <br />that has been achieved. The budget in 1978-79 was $88,000. This year the budget <br />proposed is $607,000. In 1978-79, 920 season tickets were sold. This year <br />22,000 season tickets were sold. Ms. Johnston said these figures represent <br />phenomenal growth. She said the board of directors was responsible for the leap <br />of faith it took to achieve that growth. The bottom line of the budget is that <br />there is not enough supplementary money to sustain the quality of orchestra that <br />has been produced. Ms. Johnston said the 1983-84 season will be a reduced <br />season. The board of directors will be asked for an extra $25,000 to fi ni sh thi s <br />season. Ms. Johnston said the question is whether the qual ity of the programs <br />offered this year can be sustained. <br /> <br />C. Oregon Repertory Theater: Philip Miller, President <br /> <br />Mr. Miller said ORT was established by three University of Oregon graduate <br />students under the assumption it would be professional in two years. He said <br />the theater's home was established in 1976 and it had built a solid organization <br />into a comfortable 100-seat theater. Mr. Miller E!I1phasized that growth and <br />becoming fully professional is the focus and the management structure has been <br />reorganized with a managing director instead of a producing director. ORT has <br />outgrown a 212-seat theater and into a 500-seat theater. Mr. ~\i1l er observed <br />that becoming a stable organization is a four- or five-year job. No profes- <br />sional group will achieve stability unless they are a community project. <br /> <br />III. PERFORMING ARTS ORGANIZATIONS NEEDS <br /> <br />Mr. Toland observed the four organizations have a continuing thread. One is the <br />pride in their jobs, a recogni ti on that it is not done for themsel ves or alone. <br />The four groups share fear and anxi ety. They recogni ze that they represent a <br />potent force in the community, espeCially economically. Mr. Toland said they <br />also recognize if there is to be a cultural legacy in the future, it is up to <br />them and they must work together. He noted a closer collaborative effort in the <br />past two years on the part of performing arts organizations which call themselves <br />professional and which seek to establish residency in the HCPA. Those companies <br /> <br />MINUTES--Eugene City Council <br /> <br />March 14, 1983 <br /> <br />Page 2 <br />