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<br /> <br />ECC <br />UGENE ITY OUNCIL <br />AIS <br />GENDA TEM UMMARY <br /> <br /> <br /> <br /> <br />Work Session: Cuthbert Amphitheater Update <br /> <br /> <br />Meeting Date: May 8, 2006 Agenda Item Number: B <br />Department: Library, Recreation and Cultural Services Department Staff Contact: Laura Niles <br />www.eugene-or.gov Contact Telephone Number: 682-2697 <br /> <br /> <br /> <br /> <br />ISSUE STATEMENT <br /> <br />Members of the Eugene City Council requested an information session on Cuthbert Amphitheater <br />services following the staff-initiated Request for Proposals to contract out management. Staff will <br />provide background information on the status of the Cuthbert Amphitheater as a cultural arts venue in <br />Eugene. <br /> <br /> <br />BACKGROUND <br /> <br />The oversight of managing and promoting Cuthbert Amphitheater was assigned to the Cultural Services <br />Division in 1997, when the City Council agreed to accept ownership of Alton Baker Park from Lane <br />County. The council appropriated $125,000 for facility improvements, which included the design and <br />construction of the copper-toned stage roof; however, no appropriation was made for the venue’s <br />operation and promotion. Over the years, these duties have been accomplished by Cultural Services staff <br />as a special assignment through a combination of limited union-represented hours and substantial <br />management overtime, and staff continues to look for a variety of inventive initiatives to stretch the <br />division’s strained resources. Technological advances, increased partnerships, and consolidated efforts <br />with other City divisions have been utilized and yet, costs continue to exceed revenues. <br /> <br />Because of limited funding for promotion, the venue has been used only when it is convenient for <br />promoters, putting the City at the mercy of their financial issues, which include those experienced by the <br />industry as a whole. Small, regional promoters have been nudged out of the business in the last several <br />years due to several significant changes in the popular touring entertainment industry: <br /> <br /> <br />?Popular entertainers are less willing to tour smaller venues because of lower profit margins and a <br />higher risk for loss. <br /> <br />?Popular acts often require higher artist fees, as well as higher fees for travel, hotel, hospitality, and <br />production, which lead to less profit for managers and promoters. <br /> <br />?Higher fees have led promoters to raise ticket prices, which have resulted in lower sales, because <br />many patrons are thinking more frugally when making major entertainment purchases. <br /> <br />?Outdoor facilities have a greater risk of being affected by weather, which leads to erratic ticket <br />buying patterns. <br /> <br />All these factors often eliminate small venues such as the Cuthbert from major tours because capacity <br />cannot generate adequate sales to cover predicted expenses. Artist agreements with managers and <br />promoters provide them with up to 100% of the ticket price, leaving only ancillary revenue such as <br /> <br /> <br /> L:\CMO\2006 Council Agendas\M060508\S060508B.doc <br /> <br />