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18849 <br />as is necessary in connection with the selection and placement <br />of works of art in public places. <br />~.2 } The city manager e shall, adopt initial rules of pro- <br />cedure and internal organizatian.whch shall govern the selec- <br />tion of committee members, conduot of committee meetin s, and <br />g <br />a method Qr methods for the selection of artists or works of <br />art and for placement of works of art in public places. The <br />visual arts coordinator may adopt amendments to the initial <br />rules of procedure and internal organization. The initial and <br />any amended rules are subject to review. by the city attorney <br />and must be ratified by the council. Upon presentation to the <br />council of rules of procedure and internal organization, the <br />council may affirm, reject or modify any provision. <br />4~3~ To the ,extent not otherwise provided by .this sec- <br />tion, actions of the committee are final. .Any person, or the <br />governing body responsible for the project., may appeal the <br />actions of the committee to the city manager on1 u on the <br />r nd Y p <br />g ou s that the committee acted a.n a manner contrary to law <br />or abused its discretion to the substantial prejudice of the <br />appellant. Any appeal must be made in writing to the city <br />manager within ten days of the action complained of and must <br />state with particularity the grounds for th.e appeal. The cit <br />y <br />manager sha~,l proceed to consider the appeal, on the record of <br />the proceedings, unless the manager believes a hearing is neces- <br />sary or desirable to fairly decide the questions raised. The <br />decision of the city manager is final. <br />2.6 4 8 Art <br />. Find ~- Selection of Art . <br />~l~n Appx'opxlations from the municipal art fund ma be <br />y <br />spent for: <br /> (a~. The work of art itself , which may include, <br />but not be limited to <br /> 1. Artist's professional design fee. <br /> 2. labor of assistants, and materials <br /> required for production of the work. <br /> 3. Studio and operating costs of the <br /> artist, including rent, utilities, insurance, <br /> and other direct and indirect costs. <br /> 4. Travel of the artist for site nisi-- <br />. lotion and research. <br /> 5. Transportation of the work to the <br /> s,~te. <br />6R ~nstallat,ion of the comp~,eted work. <br />~b~_ identification plaques, labels, and other <br />do.cumehtation . <br />~c~ waterworks and electrical and mechanical <br />devices, equa.pment and site work .which are integral <br />parts ~of the work. of art. <br />~d}. Frames, mats, pedestals, anchora es con-- <br />tal e g r <br />nm nts, and. devices necessary for the security of <br />the work of art. <br />Ordinance - 3 <br />