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Loren Sears <br />, Loma Linda, Eugene, expressed his appreciation to the council for their service. He resided in <br />the Crest Drive neighborhood and presented a petition signed by other residents of the neighborhood <br />concerning hazards and function inadequacies in the street design that needed correcting before construction <br />continued on neighborhood streets. He said deterioration was occurring from large trucks and School <br />District 4J and Lane Transit District (LTD) had expressed doubts about the safety of the streets for their <br />uses. He said the City was legally liable if it ignored known traffic dangers and those hazards were being <br />called out for the public record. He submitted a list of ten items related to the streets and suggested actions <br />for addressing them. <br /> <br />Paula Goodbar <br />, Grant Street, Eugene, Eugene Storefront Art Project member, stated that she lived and <br />worked in Eugene and was concerned with downtown blight. She explained that the project was a group of <br />400 local and regional artists that came together to explore the concept of using vacant storefronts for <br />revitalization. Spaces made available would allow a local artist to install temporary art in the windows. <br />She said the group was currently applying for nonprofit status and seeking grants and donations to support <br />its efforts. She listed the benefits of storefront art and its impact on creating a vibrant downtown. She said <br />the group was eager to work with property owners to provide them with a marketing and public relations <br />opportunity. She hoped the council could help the project end the creeping urban blight that was taking over <br />downtown. <br /> <br />David P. Miller <br />, 10th Alley, Eugene, Eugene Storefront Art Project member, said the project was a group <br />of concerned citizens dedicated to creating temporary art projects to enliven the downtown area. He read the <br />group’s mission statement and explained its purpose and goals. He said the storefront art project wanted to <br />add color to the downtown atmosphere and hoped that cultural and financial rewards would follow. He said <br />property owners were being approached with a simple, quick and inexpensive plan to use art as a way to <br />improve the quality of life for downtown residents and improve the environment for downtown development. <br />He hoped that community leaders would support the project. <br /> <br />Marc Gunther <br />, Junction City, Eugene Storefront Art Project member, stated that he worked in Eugene and <br />was concerned about the loss of architectural character through urban renewal. He noted that other <br />communities enjoyed the economic benefits of historical architecture. He said the historic Post Office <br />th <br />facility at 5 Avenue and Willamette Street was going to be sold and the lack of details about preservation <br />made the future of the structure uncertain. He hoped the public’s ability to visit the building would not be <br />restricted by a sale and noted it had been placed on the National Register of Historic Places in 1985 because <br />of its unique architecture, lobby and artwork. He said local artist Jerry Ross had formed a citizens’ <br />committee seeking to purchase the Post Office for use as a City of Eugene art and historical museum. He <br />urged the council not to let the opportunity for using the building as a hub for downtown revitalization slip <br /> <br />away. <br /> <br />Meisha Linwood <br />, Van Buren Street, Eugene, Eugene Storefront Art Project member, provided examples of <br />how storefront art had assisted other communities to beautify downtown areas, make vacant properties more <br />desirable and help local businesses. <br /> <br />Sherry Franzen <br />, Eugene, Eugene Storefront Art Project member, said she lived and worked in Eugene and <br />was concerned about the many empty storefronts downtown. She said the project had made over a dozen <br />proposals to property owners over the past two months and had successfully placed art in two storefronts <br />and was negotiating for space in two other properties. She said other owners had declined or ignored the <br />group’s efforts. She said property owners could select art from local submissions and described the <br />agreements that accompanied installations. She suggested a “carrot and stick” approach that would reward <br />owners that filled empty storefronts and fine those that left properties vacant. <br /> <br /> <br />MINUTES—Eugene City Council April 12, 2010 Page 2 <br /> <br />