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Acknowledgments <br />Americans for the Arts expresses its gratitude to the many people and organizations <br />who made Ans & Economic Prosperity I V: The Economic Impact of Nonprojit Arts <br />and Culture OrganL-rations and Their Audiences in the City. of Eugene possible and <br />assisted in its coordination and production. Generous funding for this project was <br />provided by the Arts and Business Alliance of Eugene (a project of the Eugene Area <br />Chambcr of Commerce), which also served as the local project partner and as such <br />was responsible for the local implentation and data collection requirements of the <br />study. <br />Spcclal thanks to the John D. and Catherine T. <br />MacArthur Foundation and The Rtith Lilly Fund of <br />Amer icans for the Am for their financial suppoii of the <br />national implementation OrArts & Econamte <br />.Prosperity It <br />Thanks also to the Cultural Data Project (CDP), a <br />collaborative project of the Greater Philadetphia <br />Cultural Alliance, The Greater Pittsburgh Arts Council, <br />Pennsylvania Council on the Arts, The Pew Charitable <br />Trusts, VIC Williatin Perin Futindation, and The Heinz <br />Endowments (in each pariici.pating State, the CUP is <br />also the result of a collaborative partnership of public <br />and private furiders and advocacy agencies). The CDP <br />was created to strengthen arts and culture by <br />docurnenting and disseminating information an the arts <br />tired C111tLiTe sector. CDP data were L[Sed in the <br />economic impact analysis for all stud y regions located <br />in Arizona, California, Illinois, Maryland, <br />Massachusetts, Michigan, New York, Ohio, <br />Pennsylvania, and Rhode Island. For more information <br />about the Cultural Data Project, visit <br />www.culturaWata.org, <br />The City of Eugene's Participating <br />Nonprofit Arts and Culture <br />OrgitnizLions <br />This study could trot have been completed without the <br />cooperation of the 29 nonprofit arts and c"Iture <br />organizations in the City of Eugene, listed below, that <br />provided detailed financial and event atic-ndarice <br />i n fa rma(ion about their organization. <br />Actor's Cabaret 41' 'k%aftu; Arnazm Cc an n uni Ly Center; A rLq <br />Vmhrutia, City of Eugene Parks and Open Spaces D vision: Fugenu <br />Ralld COMPUlly; FuMp Coneca Choir; Fugpne OFom H'ugenr, <br />Public Library; Eugene Symphony Association, Inc.; Free <br />S hak-espoAm in the Parse; Hulk Center for the Pei ing A-rIs; <br />Jagabs Gallul; Jan Sbdit% Lano Arts Cuurwd-, Lauu Cvualy <br />Rd rVou rids & Lone Events Center; Lane Count;- Histod c a] Society <br />& Museum; Lord Leebrick Theatre Company; MECCA, Materials <br />K=barige. Center ror Community Arts; New Zone Artists <br />Collective; Pvtman Bar" Saturday Market fric.; Scroi nun di: <br />Lesbian Chorus ofEugene; Sparkplug barice Clducotianial <br />Rcwurces; Unlyersky of Orcpn dbia. Onegen Bad Festival; <br />Ulliversily of Ofegon Museum ofNatunil & Cultural History; U0 <br />INILural Fartim;'UO Department of Dance; UQ Jordan Schitzer <br />museum or Art; and Young Wrilm, Aswciafion, <br />The City of Eugene's Participating <br />Nonprofit Arts and Culture Patrons <br />Additionally, this study could not have been coin pleted <br />without the cooperation ofthe 1,069 ants and culture <br />audience members who generously took the time to <br />cumpleto the audience-intercept survey while attending <br />a pllrfbrmanue, event, or exhibit within the City of <br />F,ugcnr,. <br />Arts& FowomjcPmsuaQy1V I Arnerkans for the Arts 25 <br />