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Buildings that are most comfortable have something that draws me past <br />entrance. Regarding the large atrium, make sure they don’t get stuck and not <br />drawn into the rest of the building. <br />Yes, it’s critical what you put next to atrium. <br />Will I see something on the walls that tells me I am in Eugene? Want to see <br />written and visual history of Eugene. Deaf people like to see and read. We won’t <br />be able to hear the water. <br />We want to get artists involved in interior spaces of the building. <br />I’d like to see entryway flat, at grade or maybe a shallow-rise ramp. Steps keep <br />people from entering. <br />The building has a goal of universal accessibility, unlike many buildings in <br />history. <br />Council chamber is too close, too scary. Don’t need it to be out there. <br />Yes, I’ve thought about that, and other people have said that also. <br />Concept incorporates an entire city block. In terms of access, not sure where <br />transit stops will be. Are there other models where ground level is open, pass <br />through? Structures are above? <br />As an idea, it makes sense. But in reality, the block is so big it would be too <br />dark and you’d lose universal accessibility <br />In our political climate only half of us believe in global warming. Building <br />shouldn’t be preachy. It would be better if it took a humbler tone. World’s <br />greatest building for arts and outdoors; not necessarily ultra-sustainable. <br />I don’t like the drum. Iconic emphasis should be on service function. When you <br />put the drum in there, you get redundancy, conflicting. <br />The front door needs to be entrance all of the time. <br />Sustainability should be highly visible. Shouldn’t be humble. <br />