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<br /> Councilor Miller noted that she had not attended the previous hearing on this <br /> e matter and asked for an opinion from the City Attorney regarding her ability to <br /> participate in the present deliberations. City Attorney Les Swanson responded <br /> that he believed, based on her having heard the testimony at the present hearing <br /> and on her having been present at the original meeting at which the criteria for <br /> selecting names for parts of the center were adopted, Ms. Miller should partici- <br /> pate in the deliberations. <br /> Mr. Lindberg asked staff to respond to the allegations made during public <br /> testimony that there were improprieties involved in the sewer fund inter- <br /> departmental loan to the Performing Arts Center. Assistant City Manager David <br /> Whitlow responded that the council had approved this interfund loan appropriation <br /> in October. He said that this type of loan process was used frequently in the <br /> City to cover cash flow deficits. Mr. Whitlow noted that the process was used <br /> for such items as covering lags in the flow of property tax payments, allowing <br /> the takeover of ambulance service by the City in the recent past, and, in the <br /> instance cited in public testimony, covering the time lag between payment of <br /> construction costs and receipt of funds from the Eugene Arts Foundation. <br /> Mr. Whitlow noted that the interfund loans were governed by State law, which <br /> required an audit of the funds. <br /> Councilor Wooten said she understood that Room Tax Funds were being used to <br /> subsidize the cost of tickets at the Hult Center for people in lower income <br /> brackets. Mr. Gleason said that the cost of all tickets was underwritten by the <br /> Room Tax funds and Eugene Arts Foundation operational subsidies. He noted that, <br /> for most productions at the center, 35 percent of the tickets were sold at a <br /> price below that actually needed to pay the full-share cost of the tickets. <br /> e Councilor Wooten requested that staff review that policy with the council and <br /> make information on the subsidies known to the public. <br /> Councilor Ball asked to what extent the proceedings of the Eugene Arts Foundation <br /> were required to be made public. Mr. Gleason responded that the endowment <br /> procedure was complex and involved information about the personal financial <br /> arrangements of the estates and trusts of donors. He said that for this reason, <br /> much of the work of the foundation was necessarily private. Mr. Gleason said <br /> that he had personally reviewed the cash flow statements of the foundation and <br /> found them to be all in order. <br /> Mayor Keller noted that the council had received an update on the foundation's <br /> proceedings at a dinner/work session meeting several months ago. He said the <br /> council could request another update if it wished. <br /> Councilor Ball asked if matters considered by the foundation other than the <br /> private estate matters referred to by Mr. Gleason, such as the general decision- <br /> making meetings of the foundation, were open to the public. <br /> Mayor Keller called on Benson Snyder, executive director of the Eugene Arts <br /> Foundation, to respond to this question. Mr. Snyder introduced Gary Williams, <br /> counsel to the foundation. Mr. Snyder said that the foundation was a public <br /> charity with non-profit charitable corporation status (501-C-3), and was, as <br /> such, required to maintain good stewardship. He said that forms filed by the <br /> foundation with the Internal Revenue Service, the State of Oregon, and the <br /> e <br /> MINUTES--Eugene City Council November 22, 1982 Page 7 <br />