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<br /> - <br /> .. <br /> ., <br /> e to continual rain and concurrently the small hall is not in use, the Executive <br /> Director would be able to lease that space to ORT under a negotiated user rate. <br /> Another example might be the ability to attract an event that is unique but <br /> otherwise might not be able to present itself to the community. This kind of <br /> marketing flexibility can also be used as an illustration that the Eugene market <br /> area is viable. <br /> Policy 6 is the intent to recognize the desire to provide local performing <br /> arts organizations with a reduced user rate for either hall, and to define what <br /> is meant by the term "local.1I These rates are not transferrable. <br /> Mr. Lieuallen asked in regard to Policy 5, which was discussed in terms of <br /> providing the community with shows from the outside area they might not otherwise <br /> see if this would apply to local groups as well. Mr. Reynolds responded <br /> that out-of-pocket expenses would have to be covered such as staff, supervisors, <br /> stage hands, etc. They cannot subsidize into the overhead but could apply to <br /> both local and out-of-area productions. They would not like to schedule events <br /> like this a long time in advance; rather, they would be more spur of the moment. <br /> The center must look toward the best financial commitment. This must be balanced <br /> with what a group would bring to the community. <br /> Mr. Lieuallen asked if having house seats is a standard policy. Mr. Reynolds <br /> responded that it is in many areas. However, they must be for 1I0fficial usell <br /> and clearly and carefully monitored. It should be useful to the City's interest. <br /> These could be used for a special group within the City or for other kinds of <br /> e promotional activities. Also, commission members, council members, or City <br /> staff, perhaps, could make use of these seats. This will help in the evaluation <br /> and management of the center. They are not looking at providing seats for <br /> peoples' husbands or wives, but rather for those who have business with the <br /> City. They also could be used for guests of the City. <br /> Mr. Lieuallen stated that Policy 2 has raised much concern with the local <br /> performing arts communty. Mr. Reynolds stated that in his experience, a center <br /> cannot survive on rental income alone and subsidy is not feasible beyond the <br /> point that it is already occurring. They must look to additional sources of <br /> income. They must be realistic and the public must be able to be familiar with <br /> what they find when they get there. Quality of the service cannot depend on who <br /> is providing the services. The show is the entire facility. Much of the <br /> attitude toward the center will depend upon how the people are treated. Ms. <br /> Smith noted that local performing artists recognize the importance of trained <br /> personnel, but perhaps greater use of volunteers could be made and rates that <br /> could be lowered for those groups. Mr. Reynolds agreed that that makes sense <br /> with ushers and said that this has been discussed with the groups. When volunteer <br /> ushers are trained, they will be able to perform that function with minimal <br /> supervision from staff. However, staff will still need to be there to respond <br /> to any unforeseen situations. He will be talking to the stage hands' union and <br /> stage personnel wql be discussed in negotiations for that agreement. His hope <br /> is to be able to use volunteers in the small hall with only one union employee <br /> present. The sound system is to be operated only by someone trained in that <br /> field. The lighting will be on a computerized console and training will be <br /> e <br /> MINUTES--Eugene City Council November 5, 1980 Page 11 <br />